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Every Step of the Way: Art in the South Downs

andrewcarnie

The Old Ways. January 2025, PLA Polylactic acid, 190 cm x 70 cm
The Old Ways. January 2025, PLA Polylactic acid, 190 cm x 70 cm

The Old Ways is the first work I completed to explore the idea of the importance of being outdoors for our health.


My walk meandered downward from the open hilltops of the Downs. The shrubs and trees beside me closed in and arched overhead, making an enclosed, intestinal-like space. I entered one of the old routes, drove-ways described by Robert Macfarlane in his book 'The Old Ways'.

 

I came to walk this section of the SDW with a prior interest in medicine, the biology of the gut, the microbiome, and recent research on the value of gardening and touching the soil and a wider sense that being in nature, walking in nature, is a positive way of replenishing the microbiome. The gut and its life are fundamental to our well-being through their importance in supporting the immune system. In effect, the outside runs through us.

 

The gut is an 'outdoor' walkway through our bodies. At an early stage of our evolution, we fed from what surrounded us. To explore and proffer from the land, to walk on it, we took this sea/lake/river with us; it runs through us. These were the starting points for my work.



The Old Ways. January 2025, PLA Polylactic acid, 190 cm x 70 cm
The Old Ways. January 2025, PLA Polylactic acid, 190 cm x 70 cm

 

Andrew Carnie is an artist and academic at Winchester School of Art, Southampton University. His practice often involves a meaningful interaction with scientists. He is part of the Critical Practices Research team where his interests lie in exploring the self, through notions of hybridity, in organ transplantation and immunology. Other themes and ideas are often based on neurology, the brain, and how we get a sense of ourselves through scientific ideas, and images The work is often time-based in nature, involving slide dissolve systems or video projection onto complex screens. In darkened spaces layered images appear and disappear on suspended voiles, the developing display absorbing the viewer into an expanded sense of space and time through slowly unfolding narratives that evolve around them. His work has been exhibited at the Science Museum, London, Natural History Museum, Rotterdam, Design Museum, Zurich, Exit Art, in New York, Williams College Museum of Art, Williamstown, Great North Museum, Newcastle, Pera Museum, Istanbul, Dresden Hygiene Museum, Morevska Gallery, Brno, and the Daejeon Museum of Art, South Korea amongst many others, most recently the Hatton Gallery and Vane, Newcastle.



Hear about the work at


Read about the work at Catalogue. 


See more work at the website: http://www.tram.ndo.co.uk/artworks.htm 




Current exhibitions and projects: http://andrewcarnieexhibtionsandstuff.blogspot.com/ 

All images: courtesy of the artist Andrew Carnie   


Andrew Carnie  Artists: Art: Art Work: Science: Art and Science: Science and Art: SciArt: Art Science: Drawing: Print: Photography: Installation: Video Art: Paint: Painting: Oil Painting: Paint Online: Watercolour Painting: Drawing: Sound Art: Sculpture: Modern Art: MOMA

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